Avengers Endgame - with spoilers
Posted: Thu Apr 25, 2019 5:29 pm
Well, that was fucking brilliant. Anyone else watched it yet?
Puja
Puja
I enjoyed it a lot. Did you not?morepork wrote:Brilliant?
Not sure if serious...
I can't fault you on 1 and 3 - the first act was definitely very cumbersome, but better a slow start and a rousing middle and end rather than vice versa. And the GSA would've been great if they hadn't actively taken a long beat to say, "See? See? You complained we didn't have women and now we have lots of women! LOOK AT THEM!". They could have just had it as a moment and it would've been nice.cashead wrote:It certainly made the most of its 3-hour run-time, and I certainly never got bored or restless during it, but there were some things that I take issue with.
SPOILERS
1. The pacing of the first act felt a bit off, as the film felt slightly draggy after Thanos got his head chopped off.
2. The unnecessary reaction shit, like where an OP character comes charging into the big fight, and another character says something like "yeah!" or makes a quip. This, and some jarring musical cues, is the equivalent of a sitcom laugh track.
3. The GIRL SQUAD ASSEMBLE bit. I get what they were going for, but it felt really hamfisted.
4. Fridging Black Widow.
5. Needed more Drax.
Also, Fat Thor was probably the best part of the film.
The issue with the needless quips is that much like the canned laughter, it's something that I find breaks the suspension of disbelief and takes me out of the film, especially because those lines tend to be absolute dogshit (it's only ever been done right once - "we're going to need a bigger boat"), because it comes off as so artificial. Yeah, it's a movie featuring a talking raccoon and time travel, but still.Puja wrote:I can't fault you on 1 and 3 - the first act was definitely very cumbersome, but better a slow start and a rousing middle and end rather than vice versa. And the GSA would've been great if they hadn't actively taken a long beat to say, "See? See? You complained we didn't have women and now we have lots of women! LOOK AT THEM!". They could have just had it as a moment and it would've been nice.cashead wrote:It certainly made the most of its 3-hour run-time, and I certainly never got bored or restless during it, but there were some things that I take issue with.
SPOILERS
1. The pacing of the first act felt a bit off, as the film felt slightly draggy after Thanos got his head chopped off.
2. The unnecessary reaction shit, like where an OP character comes charging into the big fight, and another character says something like "yeah!" or makes a quip. This, and some jarring musical cues, is the equivalent of a sitcom laugh track.
3. The GIRL SQUAD ASSEMBLE bit. I get what they were going for, but it felt really hamfisted.
4. Fridging Black Widow.
5. Needed more Drax.
Also, Fat Thor was probably the best part of the film.
2 was a little cheesy, but I quite liked it and they have earned it when they've constructed a fight that brings 22 films worth of people together in a way that a) makes sense and b) uses them all well. They're entitled to some self-gladulation.
4 I disagree with, considering she had a butt-tonne of agency and achieved it by outfighting Barton to be the one to make the sacrifice. It was in character for her, especially with her guilt issues over her past and she was active in the choices. A fridge is killing a female character solely to motivate or provoke emotions in a male one - that was a badass sacrifice that was done by a woman.
And 5 I would agree with for most things, but he did get a chunk of the first one and by the time he came back from the Snapture, there wasn't really any room. I would see your 5 and offer 6 - Needed less Starlord. Cause I think that's true of most films he's in.
Chris Hemsworth is an utter treasure and a very underrated comedy actor (as well as being insanely hot when not playing Fat Thor). I'm looking forward to seeing him and Tessa Thompson do Men In Black and I thought there'd never be anything that would get me interested in that franchise again.
Puja
It's not just for his development though - it's her own plot arc, both in terms of "red in her ledger" and "we owe it to the people who aren't here to [do] whatever it takes." It's a death that has an effect on a male character, but it's definitely not the main purpose for it. In fact, one could argue that, while it makes people sad, the death doesn't change anyone's development, least of all Barton (who's driven by the fridging of his wife and daughters (and son)).cashead wrote:The issue with the needless quips is that much like the canned laughter, it's something that I find breaks the suspension of disbelief and takes me out of the film, especially because those lines tend to be absolute dogshit (it's only ever been done right once - "we're going to need a bigger boat"), because it comes off as so artificial. Yeah, it's a movie featuring a talking raccoon and time travel, but still.
As for fridging Black Widow, being fridged does not preclude agency in the matter, and it's still a death used to benefit a male character's development - in this case specifically Barton.
Loki's supposed to be getting his own television series despite being pre-Snapture dead and thus not having been brought back by the end of the film. Wouldn't surprise me if they use the parallel universe one who stole and escaped with the Tesseract.OptimisticJock wrote:Agree with Puja re Black Widows death. It would have been too much of a cliche for me if it was Hawkeye that made the sacrifice.
I go along with everything else though but I though they dragged fat Thor out a bit much.
Great film all in.
Is Loki getting a film or is he going to feature in the next Guardians/Thor film?
But this also contradicts her earlier character development, in which she's defined by a determination to keep fighting, even after a cataclysmic defeat. The entire film treats her character like shit, like how suddenly Iron Man and Captain America are in charge despite a prolonged absence, and her narrative arc is shunted aside in favour of Stark, Cap and no one's favourite Avenger, Hawkeye. Hell, even potentially interesting storylines that could've been, like Ant-Man coming to terms with everything that he's lost or Bruce Banner and Hulk learning to co-exist are wasted.Puja wrote:It's not just for his development though - it's her own plot arc, both in terms of "red in her ledger" and "we owe it to the people who aren't here to [do] whatever it takes." It's a death that has an effect on a male character, but it's definitely not the main purpose for it. In fact, one could argue that, while it makes people sad, the death doesn't change anyone's development, least of all Barton (who's driven by the fridging of his wife and daughters (and son)).cashead wrote:The issue with the needless quips is that much like the canned laughter, it's something that I find breaks the suspension of disbelief and takes me out of the film, especially because those lines tend to be absolute dogshit (it's only ever been done right once - "we're going to need a bigger boat"), because it comes off as so artificial. Yeah, it's a movie featuring a talking raccoon and time travel, but still.
As for fridging Black Widow, being fridged does not preclude agency in the matter, and it's still a death used to benefit a male character's development - in this case specifically Barton.
It is made more problematic coming by the same method that Gamora was fridged in IW though.
Puja
You're not wrong about Iron Man and Captain America getting shunted back to the top of the pyramid, nor about her general shoddy treatment by the narrative (and dear gods, that line in Age of Ultron - even if you buy the line that it wasn't meant to come across like that, it's still fucking awful). And you've absolutely nailed it about why the GSA moment annoyed me when I couldn't articulate it myself.cashead wrote:But this also contradicts her earlier character development, in which she's defined by a determination to keep fighting, even after a cataclysmic defeat. The entire film treats her character like shit, like how suddenly Iron Man and Captain America are in charge despite a prolonged absence, and her narrative arc is shunted aside in favour of Stark, Cap and no one's favourite Avenger, Hawkeye. Hell, even potentially interesting storylines that could've been, like Ant-Man coming to terms with everything that he's lost or Bruce Banner and Hulk learning to co-exist are wasted.Puja wrote:It's not just for his development though - it's her own plot arc, both in terms of "red in her ledger" and "we owe it to the people who aren't here to [do] whatever it takes." It's a death that has an effect on a male character, but it's definitely not the main purpose for it. In fact, one could argue that, while it makes people sad, the death doesn't change anyone's development, least of all Barton (who's driven by the fridging of his wife and daughters (and son)).cashead wrote:The issue with the needless quips is that much like the canned laughter, it's something that I find breaks the suspension of disbelief and takes me out of the film, especially because those lines tend to be absolute dogshit (it's only ever been done right once - "we're going to need a bigger boat"), because it comes off as so artificial. Yeah, it's a movie featuring a talking raccoon and time travel, but still.
As for fridging Black Widow, being fridged does not preclude agency in the matter, and it's still a death used to benefit a male character's development - in this case specifically Barton.
It is made more problematic coming by the same method that Gamora was fridged in IW though.
Puja
You argue that it's a culmination of her character arc, which was started in Age of Ultron, but that character arc itself is massively problematic, as her monstrosity is defined by her being unable to bear children - a woman deemed "lesser" because her reproductive organs don't function right (even if this wasn't the intention, it sure as fuck comes off like that - and it felt even more jarring since that one was written by Joss Whedon, who couldn't shut up about how much of a feminist he was, and how tonedeaf it came off as, in comparison to how Rey or Furiosa were written in that same calendar year), and consequently, the Endgame ends up coming off like it's arguing that Clint Barton - whom by his own admission has committed mass murder - has more reason to live because he's got a family, despite his inability to achieve that level of closure that Black Widow did.
This then also brings in the GIRL SQUAD ASSEMBLE moment, which ends up feeling even more tacked on and sticking out because by going out of its way to feature the female characters of the film, it also emphasises how little they've been featured in the film.
Sorry boss, no. I can't get into the whole Thoopa Heroth thing, but I'm not here to rain on your parade.Puja wrote:I enjoyed it a lot. Did you not?morepork wrote:Brilliant?
Not sure if serious...
Puja
morepork wrote:Sorry boss, no. I can't get into the whole Thoopa Heroth thing, but I'm not here to rain on your parade.Puja wrote:I enjoyed it a lot. Did you not?morepork wrote:Brilliant?
Not sure if serious...
Puja
365 million is a a lot of fish and chips but.
This... might not be the best thread for you, idk.morepork wrote:Sorry boss, no. I can't get into the whole Thoopa Heroth thing, but I'm not here to rain on your parade.Puja wrote:I enjoyed it a lot. Did you not?morepork wrote:Brilliant?
Not sure if serious...
Puja
365 million is a a lot of fish and chips but.
Just like Star Wars/LotR/GoT sequels/prequels/spin-offs, Disney remakes, and Toy Story sequels, it'll run until the printing press of money stops producing.Mikey Brown wrote:Jesus Christ. It’s never going to end is it.
4 of the 5 films featured at the SDCC panel are being directed by POCs (2 of whom are women), and all 5 of them have POCs or women in leading roles. Personally, I think that it's fantastic, plus based on the success of films like Black Panther and Captain Marvel, as well as films like Crazy Rich Asians, Get Out and Us, it's pretty clear that there is a massive audience out there that are wanting to see more than just a bunch of stories about GENERIC WHITE GUY TYPE 4, SUBSET C.Puja wrote:Just like Star Wars/LotR/GoT sequels/prequels/spin-offs, Disney remakes, and Toy Story sequels, it'll run until the printing press of money stops producing.Mikey Brown wrote:Jesus Christ. It’s never going to end is it.
Looking at that slate, I'm not sure how many of them I'll be bothered to see in the cinema. Granted, Marvel's got a history of making their B and C list properties into good films, but I can't say those look particularly enthralling.
Puja
... good point, well made.cashead wrote:4 of the 5 films featured at the SDCC panel are being directed by POCs (2 of whom are women), and all 5 of them have POCs or women in leading roles. Personally, I think that it's fantastic, plus based on the success of films like Black Panther and Captain Marvel, as well as films like Crazy Rich Asians, Get Out and Us, it's pretty clear that there is a massive audience out there that are wanting to see more than just a bunch of stories about GENERIC WHITE GUY TYPE 4, SUBSET C.Puja wrote:Just like Star Wars/LotR/GoT sequels/prequels/spin-offs, Disney remakes, and Toy Story sequels, it'll run until the printing press of money stops producing.Mikey Brown wrote:Jesus Christ. It’s never going to end is it.
Looking at that slate, I'm not sure how many of them I'll be bothered to see in the cinema. Granted, Marvel's got a history of making their B and C list properties into good films, but I can't say those look particularly enthralling.
Puja